Athol Fugard

Harold Athol Lanigan Fugard (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award -winning film of his novel Tsotsi, directed by Gavin Hood. Athol Fugard Athol Fugard is a South African playwright and occasional director and actor who actively critized the Apartheid system through his work. He worked with actors such as Zakes Mokae and John Kani. More from this author.

Pdf

Athol Fugard is a South African playwright, novelist, and director, who often writes on the subject of South African apartheid. His works are often critical investigations of South African history, and he has been called South Africa's greatest playwright. His plays include The Cell, The Blood Knot, Hello and Goodbye, Boesman and Lena, Sizwe Bansi is Dead, The Road to Mecca, My Children! My Africa!, Sorrows and Rejoicings, The Shadow and the Hummingbird, and others. He is also known for writing the novel, Tsotsi, which was then turned into an Academy-Award winning film.

After dropping out of university, Fugard spent some time working on a steamer ship in North Africa, before moving to Johannesburg, where he worked as a clerk in a Native Commissioners' Court. There he began to become interested in the fallout of South African apartheid, and the injustices still built into the system. He began writing plays, many of which were critical of South African politics, and had them produced and published outside the country to avoid censorship. In 1958, he organized a multiracial theater with which he staged his plays. He later formed the Serpent Players.

John Kani

Athol Fugard Plays

Bonisile John Kani is a South African actor, director, and writer who collaborated with Fugard to create The Island. His first collaboration with Fugard was on the anti-apartheid play Sizwe Banzi is Dead. He won a Tony Award for his work on the play, which transferred to Broadway in 1975.

As a playwright, his plays include Nothing but the Truth, which looks at the conflict between South African Blacks who stayed to fight apartheid and those who left. His collaborations with Fugard and Winston Ntshona include Sizwe Banzi is Dead, The Island, and Statements After an Arrest Under the Immorality Act.

Athol Fugard Works

As an actor, Kani has worked on numerous plays, television shows, and films, including Miss Julie(a television film), Othello (a television film), Wallander, The Ghost and the Darkness, Endgame, Coriolanus, Captain America: Civil War, Black Panther, and The Lion King.

Winston Ntshona

Winston Ntshona was Fugard's other collaborator on The Island. He also won a Tony, along with John Kani, for his work on Sizwe Banzi is Dead. As an actor he appeared in the filmsThe Wild Geese, Marigolds in August, Gandhi, A Dry White Season, The Power of One, Tarzan and the Lost City, and Blood Diamond. He died in 2018.

Download

Athol Fugard Theatre

Level 2 English: Visual Text essay for Tsotsi Describe important visual or aural symbol(s) in a visual text you have studied and analyse how the symbol(s) helped develop ideas in the text.In the film Tsotsi directed by Gavin Hood there were many important symbols. The film is about a young man, Tsotsi (a nickname which means thug) who lives a life of crime in Johannesburg, South Africa. The film is set in post-apartheid South Africa and shows a few days which change the life of the main character. The film helps us to understand the struggles that blacks face today years after their mistreatment under apartheid. Symbols such as dice, light and journeys are used in this film to develop the ideas of luck and chance, hope and the…show more content…
The physical journeys Tsotsi makes in the film develop the idea of an internal , symbolic journey. We are shown many long shots of Tsotsi walking alone or running. The shot of him walking on the train tracks at night, with slow haunting instrumental music is used several times to symbolise his inner journey. Tsotsi seems to be considering what he has done. Slowly we see him change from a violent, angry young man who only thinks of himself to a man who begins to have empathy for others. His love for the baby and realisation of the pain his parents must feel at their loss leads him to decide to return it. His final physical journey is through his township, the wasteland, the train station and finally out to the wealthy suburbs to give the child back. It is reversal of his original journey to steal the car. In giving away something that has become precious to him, he gains his soul. The audience also makes the journey with Tsotsi. At the beginning we see him as a cold, hard criminal and feel horrified by his actions. However as the film progresses, the director makes him more likeable by introducing some comic scenes and using flashbacks so we understand his difficult childhood and we begin to sympathise with him. By the end he has become a decent human being.In addition to all the visual symbols, aural symbols such as aggressive Kwaito (gangsta