There are at least fifteen portraits of E.T. Stotesbury still in existence, dating from 1901 until his death in 1938. Stotesbury sat for a number of artists during this period, some of them internationally known.

E T Stotesbury

Artist and Description

Oswald Birley (painted prior to 1924, when this portrait was included in a Birley exhibition held by Duveen Brothers in New York)

Current whereabouts unknown

François Flameng (Paris 1912)

When E.T. Stotesbury and his new bride Eva were traveling in Europe in the spring and summer of 1912, they arranged to have both of their portraits painted by Flameng in Paris. Several years later they had Mr. Stotesbury's head re-painted, quite possibly by the artist Richard Langtry Partington.

Private Collection (the portrait of Eva Stotesbury, framed identically to that of her husband, is also in a private collection).

Z.P. Nikolaki (Paris 1923)

Nikolaki was born Nicholas P. Zarokilli in Turkey in 1879.

Private Collection

Richard Langtry Partington (1918)

This large portrait of E.T. Stotesbury hung in the front entrance hall of Whitemarsh Hall.

Currrent whereabouts unknown

Richard Langtry Partington (1918)

Partington painted another very similar portrait of Stotesbury but with a different background.

It is now the property of the Fairmount Park Commission Archives in Philadelphia.

Frank O. Salisbury (1929)

This portrait of E.T. Stotesbury used to hang in the offices of Drexel & Company at their building on the northeast corner of 15th and Walnut Streets in Philadelphia.

It currently is part of the Drexel University collection.

Leopold Seyffert (1920)

Seyffert's portrait of Stotesbury was last known to be in the collection of the Penn Mutual Life Insurance Company, on whose Board of Directors Stotesbury served.

Joseph Sigall (Palm Beach 1926)

Private Collection

Joseph Sigall (Palm Beach 1926)

Private Collection

N/A
Julian Russell Story (Philadelphia 1906)

Story painted a portrait of E.T. Stotesbury for the Union League of Philadelphia. It is displayed there today in the Lincoln Hall.

George Burroughs Torrey (1907)

This portrait hangs in the upriver house of the Bachelors' Barge Club rowing club, of which E.T. Stotesbury was a member. The annual Stotesbury Cup Regatta, first sponsored by him in 1928, is the premier high school rowing regatta in the country.

George Burroughs Torrey (attributed)

This portrait was reportedly larger originally, but was cropped after damage sustained in a fire. Its resemblance to the Torrey portrait at the Bachelors' Barge Club suggests that Torrey was the artist, and it was painted at the same time as the Bachelors Barge Club portrait.

Private Collection

Prince Pierre Troubetzkoy (Pierre Prince Troubetzkoy) (1901)

Private Collection

F. C. von Hausen (Palm Beach 1936)

Painted in the courtyard of El Mirasol

Private Collection

F. C. von Hausen (date unknown)

This portrait of E.T. Stotesbury by von Hausen was sold at auction in 2005 with the mistaken identification that this was Chief Justice James B. Drew, former Chief Justice of the Pennsylvania Supreme Court.

F. C. von Hausen (1938)

This unfinished portrait of E.T. Stotesbury resides today in the main clubhouse of the Bachelors Barge Club in Philadelphia.

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E T StotesburyE T Stotesbury

PHILADELPHIA, Feb. Stotesbury, wife of the local partner of J.P. Morgan, to-day made her initial bow to Philadelphia society at a reception given in her honor by Mrs. Stotesbury was platted in 1893 when the railroad was extended to that point. The village was named for E. Stotesbury, a railroad agent. 7 A post office was established at Stotesbury in 1893, and remained in operation until 1985.

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E T StotesburyStotesbury
CATALOGUE

MDCCCXCVII

Collection of Paintings

E.T. Stotesbury

Copyright 1897 by E.T. Stotesbury

The Knickerbocker Press, New York

This catalogue lists a total of sixty-two paintings owned by E.T. Stotesbury in 1897. Although the catalogue lists the artist, the name and the dimensions of each painting, it unfortunately does not include a description of each work. It instead provides a general description of each artist's history and general style. If I have been able to uncover additional information about a particular painting through subsequent research, it is included below that painting's catalogue information.

By the early 1900's, E.T. Stotesbury began to shift his collecting emphasis from nineteenth century primarily French anecdotal and landscape paintings to eighteenth century English Old Master portraits, especially after he began to be influenced by the art dealer Joseph Duveen. By the time Whitemarsh Hall was completed in 1921, Stotesbury was no longer interested in collecting these types of paintings. Most of them were kept in the art gallery at 1923-1925 Walnut Street until 1922, at which time the remaining paintings were consigned to the New York art dealer Scott & Fowles. Most of them languished in storage for many years until 1937, when the remainder of the collection was sold at auction by the American Art Association's Anderson Galleries in New York (the predecessor to Parke Bernet Galleries).

The names of the artists and paintings listed below are written exactly as the 1897 Stotesbury catalogue portrayed them.

--Wayne C. Willcox

Jules Breton, 'The End of the Day (Le Retour des Champs),' 49 1/2 x 29 1/2 inches

  • Purchased from the Mary J. Morgan collection in New York, New York on or before its dissolution in 1886.
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Three Women Harvesters and Boy.'
  • sold April 8, 1937 as Number 56 at the American Art Association auction under the name 'The End of the Day,' to M. Knoedler & Co., Inc. for $1,450 and described as follows: 'Depicting three peasant girls, one carrying a sickle, followed by a little boy at the right holding out a bunch of red flowers; at their right is a field of white poppies and, in the background, a wide stretch of golden wheat extending to a far horizon with trees and a church spire outlined by the reflected rays of a sunset. Signed at lower right, JULES BRETON, and dated 1867.' (The New York Times, April 9, 1937, page 17: '$4,100 Paid for Painting.')
  • Hirschl & Adler Galleries, New York, New York in 1964
  • This painting was offered for sale from 'the property of a New England collector' on April 23, 2003 as lot number 45 at a Christie's auction of 19th Century European Art in New York (Sale No. 1223); although this painting was on the cover of the auction catalogue, and preliminary predictions were that it should sell for between $400,000 and $600,000, the painting was not sold at that time.
  • This painting was sold recently through Schiller & Bodo European Paintings in New York, New York.
William Adolphe Bouguereau, 'Italian Knitting Girl,' 32 1/4 x 45 1/4 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Léon Brunin, 'Woman with Bird,' 26 x 32 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Jean Charles Cazin, 'Full Moon. The Plains of Hazebrouck, Département du Nord, France,' 21 x 18 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
  • [Note: a Cazin painting named 'A Full Moon' was purchased for $1,000 by P.A.B. Widener at the George L Seney collection auction on February 12, 1891 (The New York Times, Feb. 13, 1891, page 2, 'High Bids for Paintings')]
Ferdinand Chaigneau, 'Returning Home,' 10 1/4 x 5 3/4 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape with Sheep.'
  • Sold April 8, 1937 as lot number 1 at the American Art Association auction under the name 'Sheep and Shepherd;' described as follows: 'Undulating pastures of green and brownish grass with a path leading into the foreground, along which a shepherd is driving his flock; in the middle distance, low trees and bushes are outlined against a luminous twilight sky, reflecting the afterglow of a sunset. Signed at lower left, FD. CHAIGNEAU.'
E. Charlemont, 'Serenader,' 9 x 11 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Jean Baptiste Camille Corot , 'Le Pont de Limay,' 24 x 18 1/4 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'River Scene with Town.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
  • Now known as 'Seine and Old Bridge at Limay,' this painting currently is at the Los Angeles County Museum of Art in Los Angeles, California. Their provenance information lists sequential ownership by Jacquette; Boussod, Valadon & Co.; William Schaus; E.T. Stotesbury; and Paul Rodman Maybury to March 3, 1939, at which time Mr. Maybury's collection was donated to that Museum.
F. Courtens, 'View of Holland,' 24 x 15 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Charles F. Daubigny, 'Coucher de Soleil,' 14 1/2 x 26 inches
  • Purchased at the William Schaus collection sale sponsored by the American Art Association on February 28, 1896 (The New York Times, Feb 29, 1896, page 14, 'William Schaus Collection')
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Charles F. Daubigny, 'La Mare Aux Canards' (The Pond), 13 3/4 x 9 7/8 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Adrien Louis Demont, 'Le Départ,' 44 x 31 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Jean Baptiste Edouard Detaille, 'Mon Ancien Régiment' (1881), 26 1/2 x 18 1/2 inches
  • Consigned to Scott & Fowles of New York in 1922 under the same name
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Narcisse-Virgil Díaz de la Peña, 'Sous Bois,' 22 5/8 x 15 1/2 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape & Storm.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Jules Dupré, 'Paysage' (Sunset Effect), 20 1/8 x 16 1/8 inches
  • Purchased at the William Schaus collection sale sponsored by the American Art Association on February 28, 1896 (The New York Times, Feb 29, 1896, page 14, 'William Schaus Collection').
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
J.L. Gerome Ferris, 'The Silhouette,' 36 x 26 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Eugéne Fromentin, 'Couriers Arabes' (1875), 15 3/8 x 12 5/8 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Arab Horsemen.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Walter Gay, 'In the Laboratory,' 12 x 15 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
A. Hagborg, 'Returning Home,' 21 x 16 1/2 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
R. Hansbertner, 'The Old Song,' dimensions unlisted
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
William Hart, 'Landscape,' 12 x 16 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
E.L. Henry, 'Colonial Days,' 41 x 28 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Josef Isräels, 'Brother and Sister,' 11 x 17 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Boy and Girl Paddling.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Charles Emile Jacque, 'Landscape,' 26 x 32 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Charles Emile Jacque, 'Sheepfold,' 22 x 26 inches
  • The records regarding this painting are unclear. A Jacque painting by this name was purchased for $390 at the William Libbey collection auction on February 2, 1897 (The New York Times, Feb. 3, 1897, page 3, 'Men's League of the Church').
  • By the Fall of 1897, the Metropolitan Museum of Art in New York had acquired a Jacque painting by this name from the dealer Samuel P. Avery, Jr., although a picture of the painting suggests it was at least twice as wide as it was tall, thus presenting a conflict with the dimensions provided in the Stotesbury 1897 catalogue (The New York Times, Nov. 7, 1897, page SM5, 'The Museum's New Pictures').
  • On April 5, 1917, a panel painting by Jacque named 'Sheepfold' was sold by the American Art Galleries for $180 to Otto Bernet as agent (The New York Times, Apr. 6, 1917, page 13, 'Gerome Painting is sold for $7,200').
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Sheep;' this painting was sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
  • In 1922, a Jacque painting by this name sold for $780 to the Metropolitan Galleries (The New York Times, Apr. 13, 1922, page 18, 'The Harvest' for $1,025').
  • In 1946 another sale with this name was recorded through Parke-Bernet Galleries (The New York Times, Feb. 17, 1946, page 38, 'Auctions of Week Will Feature Art').
Jean Gustave Jacquet, 'The Meeting,' 29 x 46 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Jean Gustave Jacquet, 'The Miniature,' 11 x 14 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Eugene Jettel, 'Une Ferme Pres de Cayeux' 32 x 26 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Johann Barthold Jongkind, 'River in Holland' (1866), 20 x 13 1/8 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Ludwig Knaus, 'The Coquette,' 13 x 10 inches
  • Purchased by Hermann Schaus for $2,625 at the George L. Seney collection auction on February 12, 1891 (ref. The New York Times, Feb. 13, 1891, page 2, 'High Bids for Paintings').
  • Hermann Schaus repurchased the same painting for $3,200 at the David H. King, Jr. collection auction on February 18, 1896 (The New York Times, Feb. 19, 1896, page 5, 'A Rembrandt Brings $11,100'); it can be assumed that Schaus represented Stotesbury in this second purchase.
  • The painting was sold on March 20, 1902 for $1,000 to A. Augustus Healey at the S.P. Avery, Jr. dealer auction in New York (The New York Times, March 21, 1902, page 6, 'Purim Charity Ball/Avery Art Collection Sale.')

Barend Cornelius KoekKoek , 'Landscape,' 27 x 22 inches

  • Consigned to Scott & Fowles of New York in 1922 under the same name
  • Sold April 8, 1937 as lot number 23 at the American Art Association auction under the name 'Landscape with Cattle at Pasture;' described as follows: Brilliant luminous sunlight upon a landscape cut by a narrow stream at left, the grassy embankment at centre shaded by a copse of green and russet oaks and overrun by a herd of cows and sheep tended by a man and a woman; at the immediate right is a roadway with an equestrian figure and a peasant woman carrying a basket. Signed at lower right, B.C. KOEKKOEK, and dated 1855.
Alfred Kowalski von Wierusz, 'The Last Shot,' 34 x 24 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Louis Eugene Lambert, 'Cat and Kittens,' 6 1/4 x 8 1/2 inches
  • In 1895, a Lambert painting by this name was owned by the Metropolitan Museum of Art in New York (The New York Times, May 22, 1895, page 4, 'The Metropolitan Museum of Art--The French Painters'); nonetheless, a Lambert painting with this name was sold for $370 to a Mrs. White at the King/Fuller/Weil/Newcomb auction by the American Art Association in New York on March 12, 1903 (The New York Times, March 13, 1903, page 5, 'Oils and Water Colors Sold').
Léon Auguste L'hermitte, 'Street Scene,' 24 x 20 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles

Raimundo de Madrazo (Madrazo y Garreta), 'The Love Letter,' 19 x 26 inches

  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
  • Sold most recently at Sotheby's New York, La Belle Epoque: Paintings and Sculpture, May 24, 1995
Anton Mauve, 'Scene in Holland Man Ploughing,' 25 x 15 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Ploughing Scene.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Jean Louis Ernest Meissonier, 'The Halberdier,' 7 x 10 inches
  • Purchased at the William Schaus collection sale sponsored by the American Art Association on February 28, 1896 (The New York Times, Feb 23, 1896, page 12, 'In the World of Art')
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Meyer von Bremen (Johann Georg Meyer), 'Young Peasant Girl,' 9 1/2 x 13 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Mihaly Munkacsy (Michael Lieb), No Title, 21 x 25 1/2 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Patrick (Peter) Nasmyth, 'Passing Storm' (English Landscape), 7 7/8 x 6 1/2 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold April 8, 1937 as lot number 3 at the American Art Association auction under the name 'Landscape with Figure;' described as follows: Sunlight breaking through a sky of dark clouds, above a view of open green country with cottages and a windmill; a man in a scarlet vest and a horse appear upon a winding road beside a pond. Signed at lower right, PAT. NASMYTH, and dated illegibly. Cradled panel.
G. Palizzi, 'Garden with Goats,' (no dimensions provided)
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles

Alberto Pasini, 'Circassian Cavaliers Awaiting Their Chief,' 22 x 26 inches

  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Palace Courtyard.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
  • Sold as lot number 53 at Sotheby's London on October 12, 2000 for $325,000
  • Sold as lot 22 at Sotheby's New York auction of 19th Century European Art (Sale N08235) on October 24, 2006 for $430,400, under the name Cavalieri Circassi che Aspettano il Loro Capo.
  • [Note: the 2006 Sotheby's catalogue lists the dimensions of this painting as 22 inches by 31 inches, and it says that the painting is 'from a distinguished American collection, and handed down in one family from 1910 until its recent sale at Sotheby's London in 2000.' Such a conflict in the provenance begs the question: is it possible that Pasini painted two paintings of similar size, yet with the same unusual name?]
Etienne Adolph Piot, 'Girl with Flemish Bonnet,' 23 x 32 inches
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Lady with Roses.'
  • Sold April 8, 1937 as lot number 85 at the American Art Association auction under the name 'Girl with Basket of Flowers;' described as follows: Half-length figure of a young girl with fair hair, wearing a blue and mauve gown with transparent white fichu; holding a basket of tea roses upon her knees. Before a brown background, strongly lighted from upper right. Signed at lower left, A. PIOT.
  • A painting closely matching this description was sold for $48,875 on November 10, 1998 as lot number 250 at Sotheby's New York auction of Important 19th Century European Paintings and Sculpture under the name Roses
W.T. Richards, 'The Sea' (1891)', 44 x 28 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles

Martin Rico (Rico Y Ortega), 'Canal San Giovani,' 18 x 28 inches

  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Theodore Rousseau, 'Route au Soleil,' 23 3/4 x 15 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Emilio Sala-y-Francés (Emilio Sala), 'The End of the Game,' 16 x 24 inches
  • Purchased by Hermann Schaus for $1,200 at the David H. King, Jr. auction sponsored by the American Art Association in New York on February 18, 1896 (The New York Times, Feb 19, 1896, page 5, 'A Rembrandt Brings $11,100)
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
T. Schlesinger, 'The Rabbit,' 23 x 15 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Prof. Adolph Schreyer, 'Wallachian and Horses,' 38 x 23 inches
  • A Schreyer painting titled 'Wallachian Peasant and Horses' was sold to A. Tosti & Sons for $2,100 at the American Art Association auction in New York on March 1, 1906 (The New York Times, Mar 2, 1906, page 9, '$35,155 at Picture Sale')
Louis Marie de Schryver, 'Place de la Concorde,' 26 x 22 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Prof. Werner Schuch, 'Tartars and Swedes,' 28 3/4 x 38 5/8 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Guiseppe Signorini, 'Chez le Notaire,' 17 3/4 x 13 3/4 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Carl Speilter, 'Antiquarian,' 10 1/2 x 12 1/4 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
C. Springer, 'Street Scene, Haarlem,' (no dimensions provided)
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
James Stark, 'View Near Norwich' (Landscape), 18 x 24 inches
  • Purchased by Hermann Schaus for $2,700 at the David H. King, Jr. auction sponsored by the American Art Association in New York on February 18, 1896 (The New York Times, Feb 19, 1896, page 5, 'A Rembrandt Brings $11,100)
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Landscape.'
  • Sold from the Scott & Fowles inventory prior to 1937, when the remaining paintings were auctioned off through the American Art Association
Alfred Stevens, 'L'Heureuse Mére,' 19 1/2 x 13 1/2 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles

Constant Troyon, 'Cattle,' 32 x 26 inches

  • Purchased by Stotesbury from Boussod, Valadon et Cie., Paris
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'Cattle at Ford.'
  • Sold April 8, 1937 as lot number 67 at the American Art Association auction under the name 'Cows Fording a Stream;' described as follows: 'A girl in a blue skirt and purple neckerchief is wading at the left, driving three cows through a shallow stream which fills the foreground; beyond is a team of horses drawing a load of hay, approaching the river bank, and a view of the distant hills is shut out by the green foliage of trees at the left. Signed at lower left, C. Troyon. Height: 25 1/2 inches; length, 35 1/2 inches.'

Joseph Mallord William Turner, 'Blois, on the Banks of the Loire,' 20 x 24 inches

  • Purchased by Hermann Schaus for $9,800 at the David H. King, Jr. auction sponsored by the American Art Association in New York on February 18, 1896 (The New York Times, Feb 19, 1896, page 5, 'A Rembrandt Brings $11,100).
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'City of Blois.'
  • Sold April 8, 1937 for $4,100 as lot number 61 at the American Art Association auction to Nicholas Acquavella (The New York Times, April 9, 1937, page 17, '$4,100 Paid for Painting') and described as follows: Hazy view of the blue river spanned in the middle distance by the arches of a white bridge, the cream-colored mass of the chateau, with misty outlines of turrets and towers, rising at left. A roadway leads from the left foreground shaded by a russet tree; pedestrians in yellow and red costumes stand overlooking the water and numerous animated figures in boats.
Emile Van Marcke, 'In A Dale,' 24 x 30 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Friedrich Johan Voltz, 'Cattle Drinking,' 24 x 9 1/2 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
  • A Voltz painting 'Cattle Watering' was listed for sale by Christie's New York in 1980, with a suggested price range of up to $80,000 (The New York Times, May 23, 1980, page C26, 'Auctions, by Rita Reif')
F. Willems, 'The Antiquarian,' 28 x 36 inches
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles

Felix Ziem, 'Canal in Holland,' 16 1/2 x 19 1/4 inches

  • Acquired from Boussod Valadon et Cie., New York, New York
  • Consigned to Scott & Fowles of New York in 1922 under the name of 'River Scene.'
  • Sold April 8, 1937 as lot number 24 at the American Art Association auction under the name 'River View;' described as follows: A wide placid river, reflecting the blue sky, flows diagonally into the right foreground; a boy in a red jacket is seated in a skiff moored to the left shore. The farther shore is lined with feluccas and Mediterranean small craft with picturesque yards and furled sails; white buildings and a windmill appear upon the bank, surrounded by a few green trees. Signed at the lower right, ZIEM.Cradled panel height 13 inches, length 21 inches
Felix Ziem, 'Marine' (Venice), 6 7/8 x 4 3/4 inches (watercolor)
  • Sold prior to 1922, when the remaining paintings from this collection were consigned to Scott & Fowles
Catalogue Source: U.S. Library of Congress, Call No. N5220.S9

Source of Photos, unless otherwise noted: American Art Association Anderson Galleries, Inc.; Nineteenth Centrury Paintings, Property of Mrs. Marion B. Nellis, of the Estate of the Late Charles Melville Dewey, N.A., of the late Mrs. Hugh A. Murray, and of Rosemary Durig, A Pennsylvania Private Collector and Other Owners; Public Sale No. 4317, Thursday Evening, April 8th, 1937

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